Should wealthy and advanced countries share their resources with the world? Are there any advantages to isolationism? What responsibility does Africa have to the black diaspora? What responsibilities does the black diaspora have to Africa? Do world superpowers have to be the world’s police too? Should one’s loyalties be to leaders or to their positions?
These are the ideas wrestled with in Black Panther, which besides being a political drama is also the story of a king who wears a bulletproof catsuit and was in the movie where the Avengers fought each other in an airport parking lot.
Yes, Black Panther has been poised to stand apart from the other Marvel movies, and not just because this is the studio’s first superhero movie (its 18th movie overall) made with a black lead. The film is directed by auteur Ryan Coogler (Fruitvale Station, Creed) and has an almost all-black cast, with stars like Oscar-winners Lupita Nyong’o and Forest Whitaker, as well as Michael B. Jordan, Angela Bassett, Sterling K. Brown, and this year’s Oscar-nominated Daniel Kaluuya. Black Panther comes from a rich comic book history beginning in the Civil Rights Era, and many people are counting on it to be a new trailblazing film, in the vein of last year’s Wonder Woman. It aims high in its entertainment, and its ideas.
So is it as good as all the hype?
Short answer: Yes.
This is a visually stunning movie. The acting is excellent. The attention to detail, particularly in the costumes, is amazing. The film is big and mythic in proportions, but has intimate moments dedicated to character building. The worldbuilding for T’Challa’s country of Wakanda is comparable to Middle Earth.
Black Panther (Chadwick Boseman), aka King T’Challa, is the first Marvel hero I would actually trust to lead. The majority of Marvel heroes, from Tony Stark to Star Lord, are varying levels of man-children, but T’Challa is a real leader and role model, full of stoic strength and dignity. He surrounds himself with equally good people, and what makes him such a great leader is that he listens to those around him. I said in my Thor Ragnarok review that all the Marvel heroes were starting to meld together, but T’Challa and his supporting characters all stand as unique and three-dimensional.
I only have two mild critiques. First, is that T’Challa himself doesn’t have a character arc. He begins as a great man and continues to be a great king. He doubts himself briefly, but that disappears. Most of the conflict in the film isn’t because anyone is doubting he would be a good leader. His real arc, going from being blinded by vengeance to showing mercy, was in Civil War, which wasn’t even his movie.
Instead, Black Panther is much more about Wakanda then it is about T’Challa, so Wakanda goes through a character arc, and he just represents it. That makes it sometimes feel like Black Panther is the sequel to half of an origin story we’ve never seen.
But that isn’t really a critique considering how important Wakanda is, and how compelling of a character this setting makes itself out to be. I can’t really do justice to the fictional country here, but I’ve learned a lot by reading what it means to others (I highly recommend this article to learn more about what Black Panther and Wakanda represent for many people: https://www.nbcnews.com/think/opinion/black-panther-s-glorious-depiction-wakanda-envisions-africa-black-dreams-ncna849016).
The second critique is that the film does not feel like a Marvel movie. That works well in this case, but there are moments within the film where it seemingly remembers it is a Marvel movie, and then does a Marvel-y thing that feels out of place. I would almost prefer if it hadn’t been associated with Marvel at all, and did not feel like it had to have any action sequences or jokes or any outside references.
However, those moments are few and few between, and don’t distract from the integrity of the film. And in case you’re wondering if this film is just a political history lesson, don’t worry. It’s an extremely entertaining film. It will also just happen to make you think! And isn’t that the best of both worlds?
But ultimately, this film wouldn’t have been made if it weren’t a Marvel movie. Not just because Black Panther is a Marvel comics property, but because Marvel and Disney are the only studios that are either able or willing to take this risk. Maybe they didn’t need to make ten movies starring a white guy named Chris before doing this film, but we’re here now. That’s why I get frustrated when prestigious directors bad mouth superhero films. With all due respect, they are by and large not making the films main audiences- and particularly audiences of color- want and need to see.
Black Panther isn’t just an example of the potential of blockbuster and big-studio successes, but also an example of why superhero movies are important. This is a genre, a space, like ancient mythology, that has the ability to be paired with any other genre to create new and original stories. Logan, Wonder Woman, Black Panther, and The Dark Knight are all based in comic books, but all tell different stories, create different worlds, and say different things. As long as filmmakers keep pushing for new ways to tell these stories, the superhero boom isn’t going away, and until everybody gets to see themselves as a hero on screen, I don’t think it should.
I don’t know the full effect Black Panther will have on audiences, or comic book readers who have been waiting to see Wakanda in big screen glory. But I do know that it is a great film, and everyone should see it.