Pixar’s new film Luca is what you would get if Finding Nemo and The Little Mermaid had a beautiful Italian child. While Luca is as richly animated as those films, does it have the same emotional depth and timeless quality they do?
Luca follows two sea monsters living on the coast of Italy. Luca (Jacob Tremblay) is shy and curious, fascinated with the human world but forbidden from exploring it by his parents (Maya Rudolph and Jim Gaffigan). He befriends Alberto (Jack Dylan Grazer), who has been living on land in his human form for a while. Alberto helps Luca get the courage to run away from home and visit the nearby village, where they meet Giulia, a spunky young girl preparing to enter a local race. The boys join her racing team to make money to buy a Vespa, but their plans are threatened by the town bully and Luca’s parents, who come on land to find their son.
I’m sad to say that Luca is one of Pixar’s slightest, most underwhelming offerings. While last year’s Soul was ambitious but fell short of reaching its full potential, Luca doesn’t falter in telling its story because there’s not much story here at all. The simple tale about two boys, literally fishes out of the water, gaining acceptance from others and learning not to hide works well as a fable. I’m not saying it needed a more complex plot. But Pixar movies always have multiple layers of meaning, with a narrative aimed at kids and then deeper themes for adults. For example, Finding Nemo, like Luca, is about overprotective parents. In Finding Nemo however, Marlin’s fears are thoughtfully explored in a compelling way for adults, while Nemo’s storyline tells a story for kids about gaining independence. In Luca, Luca’s parents are mostly played for a joke.
Disappointingly, Luca is one-note, never able to balance more than one theme at a time. The first part of the movie is about Luca’s conflicted desire between obeying his parents and discovering more about the human world. Once he decides to explore the human world, this conflicting emotion is never revisited. Once he and Alberto explore the human world and Alberto becomes worried Luca will abandon him, they have one fight. Luca makes it up to Alberto by proving that he won’t abandon him, and all is resolved. The sea monsters are worried throughout the film that the humans will reject them, but after the only encounter where Alberto and Luca’s true identities are revealed, the humans accept them, and it’s completely resolved. A story can be simple while still having depth. But Luca feels like a story of bullet points, rather than a narrative woven together.
Despite these issues, what keeps the film together is the atmosphere. After last summer, which didn’t feel like much of a summer at all due to COVID restrictions, there is something truly refreshing about seeing a movie that is rich with sensory details. You can feel the warmth of the sun beating down on the Italian Riviera! You can feel the cobblestones beneath your feet. You can almost taste the gelato! (Side note- I had pasta and gelato before watching, and I highly recommend it to get you into the mood to watch). This film made me really, really want to ride a Vespa and feel the wind in my hair as I roll down the Italian countryside. While I can’t see Luca being a timeless, rewatchable film, it is a pleasurable experience. If you have young children, or enjoy animated movies and want to celebrate summer, Luca is a charming way to pass the time. But raise an Italian soda with me: here’s to hoping Pixar gets its groove back soon.