Over the Moon
Over the Moon is a cute animated film about a young girl in China who believes in a traditional Chinese myth about a goddess who lives on the moon. When the girl’s father introduces her to her future stepmother, the girl builds a rocket to go to the moon goddess for help in breaking up the marriage.
Over the Moon is best when it takes place on Earth, telling a tender story about grief and blended families. Once the characters get to the moon, the pacing becomes more frantic and the story more silly. Still, through it all, the animation is cartoonish but stylized, and the musical sequences are catchy. It’s the perfect choice for a family film, and I think will be entertaining for older viewers as well.
Ma Rainey’s Black Bottom
Ma Rainey’s Black Bottom is a lot like 2016’s Fences,beyond both being adaptations of August Wilson plays. Both star Viola Davis in mesmerizing performances. Fences was directed by and starred Denzel Washington, and Ma Rainey is produced by him. Both films never utilize the film medium enough to ever feel like anything other than a play, yet both are so incredibly acted and written it doesn’t really matter. Like Fences, Ma Rainey’s Black Bottom delves deeply into the specifics of the Black American experience while still exploring universal emotions, even in a period piece. Here, it depicts the struggle of trailblazing Black musicians like Ma Rainey to gain respect and maintain power. The film is worth watching on multiple accounts, but it is especially resonant as Chadwick Boseman’s last film, and he doesn’t disappoint in his intense, soulful performance.
The Prom is based on the 2018 Tony-nominated musical about Broadway actors going to a small town in Indiana to advocate on behalf of a young lesbian, Emma, who is denied the ability to go to prom with her date. While the actors, played in the film by Meryl Streep, Nicole Kidman, James Corden, and Andrew Rannells, go for selfish reasons, over the course of their stay they become less self-absorbed and genuinely helpful in bringing about change in town.
This Ryan Murphy-directed musical has received blowback for James Corden’s performance (I didn’t find it horrendous, but at best, it’s grating and tired), the lack of development for most of the characters, and leaning less into the satire of famous people and more into just focusing on famous people. The film has also been criticized for certain adaptational changes, which is what I find most revealing. One of the key adaptational changes is that Barry (Corden’s character) ends up reuniting with his mother, who kicked him out of the house as a teen. The film also has Kerry Washington’s character redeemed, accepting her gay daughter at the end of the film.
Neither of these story beats are in the musical and seem to me strange choices by Murphy. The LGBTQ+ community has a strong tradition of found families, yet The Prom prioritizes reunion with biological families, even families that treat their children terribly. The Prom is preaching to the choir but doesn’t really represent the diversity and core values of the LGBTQ+ community. In trying to be super palatable for straight people, it ends up feeling mushy and shapeless, like an overly-long musical number.
– Madeleine D.
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